Finding Stanislavski in Tehran

Sometimes in life we find our life calling and passion in the least expected of places. This is a story of finding raison d’être at the end of an alley, opposite a Chinese restaurant, in the heart of Tehran at the height of the Iran-Iraq war and at a time when theatre school seemed the only light at the end of a dark and interminable tunnel.

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Ana Bayat
"My Mother's Father's Song" (inspired by Alice Davis' life story)

The Story: My Mother’s Father’s Song tells the true story of Alice Davis who was displaced from her native Warsaw at the onset of WW-II never to return home. Alice spent a lifetime trying to assert her memories of what her family name and her father’s tavern –central to many aspects of life in Warsaw at the time– represented in the Jewish quarter of 1930s Warsaw and its association with the famous Polish ballad "Bal u Starego Joska" (aka "Bal na Gnojnej"). It wasn’t until shortly before her death in Canada that an unexpected turn of events convinced her family that Alice’s childhood stories were not the result of a fanciful mind.

The project: An immersive, multimedia-based theatrical event that allows the audience to see through the eyes of a mature Alice as she is interviewed for a major study on displacement. Original music compositions and archival documents would be provided by Alice’s own son, Jazz pianist virtuoso Ron Davis. Also, to include the pre-German-invaded Warsaw neighborhood as a significant 'character' in the story, projected hand-drawn and motion graphics animation would place us in Alice's past and the socio-political shift that shook her world and that of her community. A sectional/cabaret seating configuration would allow audiences to participate as patrons of the tavern or the audience of the interview.

Why now?: Given the continued rise of ultra-right groups not only in the United States but also in Europe, as a theatre artist I am hoping to bring this timeless story of displacement and female strength to San Francisco Bay Area audiences and create opportunities for multicultural storytelling exchanges during Q&A sessions by including immigrant communities, Jewish groups and anyone interested in our shared humanity and to fight back hate and the discrimination of immigrants.

Timeline: Following a staged reading open to the public with post-show Q&A, we intend on presenting/premiering the workshopped play in San Francisco inthe fall-winter of 2023.

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Coaching Glenn Close: From Dangerous Liaisons to Tehran

It has been the honor of a lifetime coaching Glenn Close. It would be the first time Glenn Close would act in a language other than English and I was thrilled to be a part of this process, a rare gift I will cherish and celebrate for a long time to come. It was also a dream come true, because Glenn Close has been a poignant part of my personal life’s journey from a teenager in revolutionary Iran to my life as an adult living in California and working in theatre and film.

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Diversity in Film Casting

August marks 18 years since I left England behind and made the Bay Area my home. 18 years since my carefully-crafted English vowels started blending into the North American ones; 18 years since I started no longer sounding like the Queen of England; 18 years since no bus driver has said “what?!” to my “Sutter/Stockton” or a flight attendant “say that again?!” to my pronunciation of “water”.

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Thoughts on Casting (Waiting for Kiarostami)

At the age of 17, I played the role of a mother to a 9 year old in the big blockbuster “Little Bird of Happiness” (“Parandeye Kuchake Khoshbakhti”) directed by Pouran Derakhshandeh. At the time, I had little emotional resources to relate to the feeling of a mother. I was a teenager with a strong Stanislavsky training under my belt and an immense natural motherly instinct, but none of these got me closer to the truth in those scenarios.

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